Ariana Grande's comeback with Eternal Sunshine is proving to be one of the biggest eras in her music career.
After the album topped the Billboard 200 chart, she also achieved multiple records when her second single, "We Can't Be Friends," topped the Billboard Hot 100 chart.
Now, Billboard has revealed that Ariana Grande has topped three other major charts in her debut week for Eternal Sunshine.
Ariana Grande Achieves New Billboard Milestone
Billboard reported that Grande topped the Billboard 200 and Billboard Hot 100 charts this week and reached the No. 1 spot on the Artist 100, Hot 100 Songwriters, and Hot 100 Producers charts.
Grande now becomes the fourth act to achieve the same record on the five major Billboard charts, as it has only been done 10 times, including Grande's massive week.
Taylor Swift achieved that during her 1989 (Taylor's Version) era in November 2023; Zach Bryan with his self-titled album and "I Remember Everything" song featuring Kacey Musgraves in September 2023.
Swift also occupied six more spots from November to December 2022 when she released Midnights and the single "Anti-Hero"; and Red (Taylor's Version) and "All Too Well (Taylor's Version)" in November 2021.
The Weeknd first achieved the record in 2020 after releasing After Hours and "Blinding Lights." Billboard only started publishing the Hot 100 Songwriters and Hot 100 Producers charts in 2019
This is the first album on which Grande is credited as a co-producer.
- No. 1, "We Can't Be Friends (Wait for Your Love)"
- No. 10, "Yes, And?"
- No. 16, "The Boy Is Mine"
- No. 17, "Supernatural"
- No. 23, "Eternal Sunshine"
- No. 25, "Bye"
- No. 28, "Don't Wanna Break Up Again"
- No. 30, "True Story"
- No. 37, "Imperfect for You"
- No. 38, "Intro (End of the World)"
- No. 39, "I Wish I Hated You"
- No. 55, "Ordinary Things," feat. Nonna
Ariana Grande 'Eternal Sunshine' Reviews
Eternal Sunshine has also received overwhelmingly positive reviews from critics. Metacritic graded the album 83 out of 100.
Rolling Stone gave the album five stars, describing it as "some of the most honest and inventive music of her career."
The New York Times remarked that it was one of Grande's "stronger, sophisticated albums yet, highlighting the perceived maturity of its subject matter."
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