Cubanacán: A Revolution of Forms is indeed the first new Cuban opera in nearly five decades. Itself some twelve years in the making, this new production comes to fruition via American filmmaker Charles Koppleman to kick off the 2015 Bienal de la Habana on May 22, under the curious theme “Between the Idea and the Experience.” Featuring a libretto by Koppleman, music by Cuban composer Roberto Valera (who will also conduct) and stage direction by the Parisian upstart Charles Chemin, Cubanacán looks at moment in the history of Castro’s reign that you've likely never read about before.
Specifically, the premise here focuses on Cuba’s National Art Schools. Built during the 1960s--pin high to the Havana Country Club--said schools were actually a set of five conjured up by Fidel Castro and Ernesto "Che" Guevara, yes, during a golf outing. Alas, architect Ricardo Porro’s dream for the institution, like the most vaunted ones under Communism (big C), got tangled up in the blue laws of that red island state.
An old fashioned three-acter (in Spanish, por supuesto), you'd be wrong to hear this opera as anything other than the first significant cultural event there since the U.S. lifted that silly travel ban (save for those songs of Annea Lockwood, maybe).
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