The Column: Are Live Broadcasts Good for Classical Music?

Not every question has a ready-made answer. Not every answer to the same question will be identical. I have a question, and I don't know the answer, nor do I know whether the answer will be different in different places. So, I'll just get on and ask it, and maybe we'll see. The transposition of operas, ballets, concerts, plays and musicals (we'll leave sporting events out of it for now) to the cinema has been judged as a great success. People are even often unable to get in, so popular are these events in some locations. But when cinecasts were pioneered, by Glyndebourne and the Met among others, there were some voices of dire warning that this would erode audiences for the local live experience.

Here's the question: has it? I ask because a close friend recently told me how he and his wife go to see opera in the cinema at least once a month. The Royal Opera, the Met--nothing but the best. I can't remember the last time these once avid theater-goers went to see an opera on a stage, in a theater.

CLICK HERE TO CONTINUE READING

Tags
James Inverne, The Column, Glyndebourne, Metropolitan Opera, English National Opera
Join the Discussion
Real Time Analytics